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We Are Never Ever Getting Back Together

 

Taylor Alison Swift (born December 13, 1989 in Wyomissing, Pennsylvania) is an American country pop singer-songwriter and actress.

In 2006, she released her debut single “Tim McGraw”, then her self-titled debut album, which was subsequently certified multi-platinum by the Recording Industry Association of America. In November 2008, Swift released her second album, Fearless. Fearless and Taylor Swift finished 2008 at number-three and number-six respectively, with sales of 2.1 and 1.5 million. Fearless has topped the Billboard 200 in 11 non-consecutive weeks; no album has spent more time at No. 1 since 2000. Swift was named Artist of the Year by Billboard Magazine in 2009. Fearless won the Grammy Award for Album of the Year in 2010. Her third album, Speak Now was released in November 2010.

In 2008, her albums sold a combined four million copies, making her the best-selling musician of the year in the United States, according to Nielsen SoundScan. Forbes ranked Swift 2009’s 69th-most powerful celebrity with earnings of $18 million. In January 2010 Nielsen SoundScan lists Swift as the top-selling digital artist in music history with over 24.3 million digital tracks sold. To date, she has sold over 20 million albums worldwide.

We Are Never Ever Getting Back Together” is a song recorded by American recording artist Taylor Swift. It was written by Swift with Max Martin and Shellback. Production was handled by Martin, and Shellback, with Scott Borchetta serving as executive producer. It was released as the lead single from Swift’s fourth studio album Red (2012) on August 13, 2012 by Big Machine Records

We Are Never Ever Getting Back Together” is a pop song with bubblegum pop influences while the lyrics depict Swift’s frustration at an ex-lover who wants to re-kindle their relationship. The songwriters wrote the song after Swift‘s ex-boyfriend’s friend spoke of rumors he heard that Swift and her former boyfriend were reuniting. The song received mixed reviews from music critics; some praised the catchy, radio-friendly hook while others felt the song lacked the thoughtfulness of Swift‘s previous, more guitar-based work.

 

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